For the countries that we ship to most often like Canada, UK, and Australia we’ve put together a guide of what to expect. We don’t collect customs and brokerage fees. Will I have to pay customs and brokerage fees if shipping outside the USA?.has required that we use only factories that follow labor laws and pay proper wages.
#Grateful dead skull license#
Certified Child Labor and Sweatshop FreeĮvery license agreement we’ve signed with companies like Hasbro, Paramount, Mattel, etc. If you are buying from a company that has no problem stealing intellectual property shouldn’t that make you wonder what else they’ll have no problem with? Maybe it will be no problem with selling your personal information, or no problem with using cheaper but less safe materials, or no problem delivering you a product that is less than they claim. or at least want the creators to have funding to something new that you’ll love too! Know that you are Dealing with a Reputable Company enough to wear a shirt then you probably want more of that show, video game, movie, etc. If you love a show, video game, movie, etc.
#Grateful dead skull free#
In the case of t-shirts that means that you can be sure that the paint on your t-shirt and the dyes in the material have been tested and are certified to be free from lead and other harmful chemicals. Me And Bobby Mcgee ( Kris Kristofferson, Fred Foster) - 5:42ġ0.Wharf Rat ( Jerry Garcia, Robert Hunter) - 8:32ġ1.Not Fade Away ( Buddy Holly, Norman Petty) / Goin' Down The Road Feeling Bad ( Traditional) - 9:12ġ2.Oh, Boy! ( Norman Petty, Bill Tilghman, Sonny West) - 2:50ġ3.OFFICIALLY LICENSED Why You Should Care Certified Safety for Yourself and Your Loved OnesĬompanies like Disney and Hasbro require that their licensees test their products for safety. Big Boss Man ( Al Smith, Luther Dixon) - 5:11Ĩ. Me And My Uncle ( John Phillips) - 3:04ħ. The Other One ( Bill Kreutzmann, Bob Weir) - 18:03Ħ. Playing In The Band ( Bob Weir, Robert Hunter) - 4:30ĥ.
Big Railroad Blues ( Noah Lewis) - 3:34Ĥ. Bertha ( Jerry Garcia, Robert Hunter) - 5:40ģ. As such, the Grateful Dead spent the spring and summer of 1971 in their original five-piece configuration - which is when these recordings were documented.ġ. Additionally, the arrival of Keith Godchaux (organ) and his wife, Donna Godchaux (vocals), had yet to occur. Their formidable improvisational chops have begun to take on new facets of lean intricacy as Mickey Hart (percussion) and Tom Constanten (keyboards) were no longer in the band. The Dead also begin incorporating several traditional folk, blues, and R&B cover tunes, such as Merle Haggard's "Mama Tried," Kris Kristofferson's "Me & Bobby McGee," as well as a few that had been in their songbook for several years, including John Phillips' "Me & My Uncle" and "Big Boss Man," a blues standard popularized by Jimmy Reed. However, "The Other One" - joined in progress just as Billy Kreutzmann fires up a blazing percussion solo - sprawls as the album's centerpiece. Coming off of the quantum-leap success of the studio country-rock efforts Workingman's Dead (1969) and American Beauty, Grateful Dead offers up a pair of new Jerry Garcia/Robert Hunter compositions - "Bertha" and "Wharf Rat" - both of which garnered a permanent place within the band's live catalog. The Grateful Dead's second live release was an eponymously titled double LP whose cover bears the striking skull-and-roses visual motif that would become instantly recognizable and an indelibly linked trademark of the band.Īs opposed to their debut concert recording, Live/Dead (1969), this hour and ten minutes concentrates on newer material, which consisted of shorter self-contained originals and covers.
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